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Why Luke Combs’ “Forever After All” Should Have Been A Pop Hit In 2020

“Forever After All” encapsulates Luke Combs’ strengths in a very mainstream-friendly package.

Luke Combs - Forever After All audio cover | YouTube/River House/Columbia Nashville

As 2020 draws to a close, Headline Planet continues its exploration of songs that deserved the chance to resonate with pop radio listeners.

Our “Should Have Been Pop Hits” feature began with a look at BLACKPINK’s “Lovesick Girls.” Cardi B’s “WAP (featuring Megan Thee Stallion)” took center stage in part two.

It is time for part three!

Selection Three: Luke Combs’ “Forever After All”

When a country artist’s deluxe album track seriously challenges a lead Ariana Grande single for #1 on the Billboard Hot 100, two things are likely true:

1) It is a high-quality, immensely resonant song.
2) Its reach extends well beyond the core country audience.

Both criteria indeed apply to Luke Combs’ “Forever After All,” which made a massive impact upon arrival this fall. The song broke numerous country streaming records, while debuting as the best-selling song across all genres. Two months have passed, and the song still holds a Top 5 position on US iTunes.

Despite its obvious resonance, “Forever After All” did not receive attention at radio. Whereas the country radio snub actually makes sense (“Better Together” had just launched as an official single, and Combs has numerous songs in recurrent rotation), the pop absence is inexcusable.

With its universal message, memorable chorus, and commanding lead vocal performance, “Forever After All” is as deserving of pop radio love as nearly anything in rotation.

It may not shamelessly chase dated pop trends the way some “crossover” attempts do, but “Forever After All” is hardly a niche country song. Its lyrics and music are broadly accessible (not to mention great) — and spiritually perfect for the pop radio landscape. Not simply theoretical, the accessibility was proven in reality. As noted, “Forever After All” posted massive sales and streaming numbers in its first week and debuted as a close #2 to Ariana Grande’s “positions” on the Billboard Hot 100.

Over the past two years, Luke Combs has emerged as the biggest superstar in country — and one of the most bankable forces in all of music. The key is that his music draws its commercial viability not from short-term flash or trend-hopping but from honesty and relatability. “Forever After All” encapsulated everything that has been working for him in a very mainstream-friendly package.

By playing “Forever After All,” pop radio stations would not simply have been adding a great song to their rotations. They would not simply have been recognizing the record-breaking connection it made with music listeners. They would have been acknowledging the undeniable impact Luke Combs is having on the music industry. They would have been trumpeting the power of genuine music from a genuine artist.

With the biggest hip-hop, dance, rock, and country hits often showing pop sensibility, it is time for pop radio (as well as label promotion teams, who are often just as guilty of opportunity-missing) to cease its closed-minded approach to playlists. It is time to actually listen to the music — and actually look at the metrics — when deciding whether or not something is too genre-specific for mainstream audiences.

“Forever After All” may be right up modern country radio’s wheelhouse, but the sound and numbers prove that it is definitely not “too country” for pop radio. It irrefutably should have been a pop radio hit in 2020.

Written by Brian Cantor

Brian Cantor is the editor-in-chief for Headline Planet. He has been a leading reporter in the music, movie, television and sporting spaces since 2002.

Brian's reporting has been cited by major websites like BuzzFeed, Billboard, the New Yorker and The Fader -- and shared by celebrities like Taylor Swift, Justin Bieber and Nicki Minaj.

Contact Brian at brian.cantor[at]


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