{"id":47638,"date":"2015-09-25T10:37:47","date_gmt":"2015-09-25T14:37:47","guid":{"rendered":"http:\/\/headlineplanet.com\/home\/?p=47638"},"modified":"2015-09-27T19:09:09","modified_gmt":"2015-09-27T23:09:09","slug":"report-drake-futures-what-a-time-to-be-alive-wins-sales-race-with-340k","status":"publish","type":"post","link":"https:\/\/headlineplanet.com\/home\/2015\/09\/25\/report-drake-futures-what-a-time-to-be-alive-wins-sales-race-with-340k\/","title":{"rendered":"Drake &#038; Future&#8217;s &#8220;What A Time To Be Alive&#8221; Wins Sales Race With 334K (Updated)"},"content":{"rendered":"<p><b>Update:<\/b> An opening week sales total of 334,000 pure copies earns Drake &#038; Future&#8217;s &#8220;What A Time To Be Alive&#8221; mixtape the #1 spot on this week&#8217;s Top Album Sales chart.<\/p>\n<p>&#8220;What a Time To Be Alive&#8221; is the second Drake mixtape to top the Billboard sales chart this year.  &#8220;If You&#8217;re Reading This It&#8217;s Too Late,&#8221; the first, sold 495,000 after just three days of tracking week availability.<\/p>\n<p>The Future collaboration entered the market on the third day of the seven-day September 18-24 tracking week.<\/p>\n<p>With Track Equivalent Albums (10 single sales = 1 album equivalent unit) and Streaming Equivalent Albums (1500 single streams = 1 album equivalent unit) added to the pure sales total, &#8220;What A Time To Be Alive&#8221; posted an opening week consumption total of 375,000 units.  That earns it the #1 spot on the Billboard 200 chart.<\/p>\n<p>This week&#8217;s BB200 Top 10 follows:<\/p>\n<p>1)  Drake &#038; Future &#8211; What A Time To Be Alive &#8211; 375K units (334K from pure sales)<br \/>\n2)  Lana Del Rey &#8211; Honeymoon &#8211; 116K units (105K from pure sales)<br \/>\n3)  The Weeknd &#8211; Beauty Behind The Madness &#8211; 90K units<br \/>\n4)  Mac Miller &#8211; GO:OD AM &#8211; 87K units (73K from pure sales)<br \/>\n5)  David Gilmour &#8211; Rattle That Lock &#8211; 71K units (70K from pure sales)<br \/>\n6)  Shinedown &#8211; Threat To Survival &#8211; 65K units (61K from pure sales)<br \/>\n7)  Ryan Adams &#8211; 1989 &#8211; 56K units (49K from pure sales)<br \/>\n8)  Taylor Swift &#8211; 1989 &#8211; 42K units<br \/>\n9)  Luke Bryan &#8211; Kill The Lights &#8211; 37K units<br \/>\n10) Andy Mineo &#8211; Uncomfortable &#8211; 35K units (32K from pure sales)<br \/>\n=======================<\/p>\n<p>For the second time this year, a Drake mixtape debuts atop the album sales chart.<\/p>\n<p>According to Hits Daily Double, Drake and Future&#8217;s &#8220;What A Time To Be Alive&#8221; sold approximately 339,538 pure copies during the September 18-24 tracking week.<\/p>\n<p>Billboard&#8217;s more authoritative data will differ slightly, but the disparity will not be enough to change the outcome. &#8220;What A Time To Be Alive&#8221; was the week&#8217;s best-selling album, and it will claim #1 on Top Album Sales.<\/p>\n<p>It will also claim #1 on the consumption-oriented Billboard 200. With Track Equivalent Albums (10 single sales = 1 album equivalent unit) and Streaming Equivalent Albums (1500 single streams = 1 album equivalent unit) added to the pure sales total, Hits estimates that the album posted a first week consumption total of 378,630 units.<\/p>\n<p>Earlier this year, Drake debuted at #1 on both charts with his surprise release &#8220;If You&#8217;re Reading This It&#8217;s Too Late.&#8221;<\/p>\n<p>Other notable pure sales performers: Lana Del Rey&#8217;s &#8220;Honeymoon&#8221; (~110,547 sales), Mac Miller&#8217;s &#8220;GO:OD AM&#8221; (~78,024), David Gilmour&#8217;s &#8220;Rattle That Lock&#8221; (~68,265), Shinedown&#8217;s &#8220;Threat To Survival&#8221; (~60,574), Ryan Adams&#8217; &#8220;1989&#8221; (~51,422), The Weeknd&#8217;s &#8220;Beauty Behind The Madness&#8221; (~43,257), Andy Mineo&#8217;s &#8220;Uncomfortable&#8221; (~34,158), Keith Richards&#8217; &#8220;Crosseyed Heart&#8221; (~27,669), and Alabama&#8217;s &#8220;Southern Drawl&#8221; (~26,528).<\/p>\n<p>Other notable consumption performers: Lana Del Rey&#8217;s &#8220;Honeymoon&#8221; (~121,433 total units), The Weeknd&#8217;s &#8220;Beauty Behind The Madness&#8221; (~90,728), Mac Miller&#8217;s &#8220;GO:OD AM&#8221; (~90,152), David Gilmour&#8217;s &#8220;Rattle That Lock&#8221; (~69,017), Shinedown&#8217;s &#8220;Threat To Survival&#8221; (~63,417), Ryan Adams&#8217; &#8220;1989&#8221; (~56,837), Taylor Swift&#8217;s &#8220;1989&#8221; (~46,318), Andy Mineo&#8217;s &#8220;Uncomfortable&#8221; (~37,171), and Luke Bryan&#8217;s &#8220;Kill The Lights&#8221; (~34,887).<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"categories":[183,1047,206],"tags":[5015,5014,5013,54,2102,2883,721,423,2710,4438,145,5043],"adace-sponsor":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Drake &amp; 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